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The United States as the Villain: A New Perspective

The boldest thing about ÔÇ£The Creator,ÔÇØ a mash-up of mostly familiar sci-fi and war-movie tropes, is the filmmakersÔÇÖ choice of a villain: the United States of America. Set some 40 years in the future, director and co-writer Gareth EdwardsÔÇÖs movie imagines an American campaign of mass destruction against New Asia, a sort of pan-Asian restaurant of a country.

The United States has banned artificial intelligence after blaming it for a nuclear explosion that destroyed Los Angeles. New Asia, meanwhile, is a wonderland of tolerance that accepts not just multiple ethnicities and languages but also AI-brained robots and the part-human cyborgs called ÔÇ£simulants.ÔÇØ The United States sets out to eliminate any creatures with AI consciousness in a war that initially suggests Vietnam ÔÇö the director names ÔÇ£Apocalypse NowÔÇØ as one of his inspirations ÔÇö and soon escalates into one of ÔÇ£OppenheimerÔÇÖsÔÇØ A-bomb nightmares.

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A World of Acceptance and Conflict

Poised to be at the center of the American offensive is Joshua (ÔÇ£TenetÔÇØ star John David Washington), whoÔÇÖs living undercover in a part of New Asia that looks to be a Thai beach resort. HeÔÇÖs a war-scarred veteran whose missing arm has been replaced with a robotic one, making him something of a cyborg himself. ThatÔÇÖs significant, since one of ÔÇ£The CreatorÔÇÖsÔÇØ morals is the acceptance of all beings, even those that are partly or entirely machines.

Joshua is rapturously married to Maya (British-Chinese performer Gemma Chan), whoÔÇÖs cool with simulants, and theyÔÇÖre expecting a baby. But the coupleÔÇÖs domestic tranquility is blown to smithereens when the United States viciously attacks ÔÇö led by, of all people, Allison Janney. (Yes, the ÔÇ£West WingÔÇØ star here plays something akin to the ruthless Tom Berenger role in ÔÇ£Platoon.ÔÇØ)

Now apparently a widower, Joshua is brought into an American effort to destroy a new superweapon made by the mysterious Nirmata, whose name is Nepalese for ÔÇ£creator.ÔÇØ This threat turns out to be a simulant with the form of a 6-year-old girl (Madeleine Yuna Voyles), who acquires the nickname Alphie. Like all simulants, Alphie has a large metal-lined hole in the side of her head. (Why? ÔÇ£The CreatorÔÇØ doesnÔÇÖt address questions like that.) Still, sheÔÇÖs pretty cute, and Joshua easily transfers his paternal feelings for his lost child to her.

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A Thrilling Battle Against the United States

And so Joshua finds himself fighting the United States alongside such simulants as Harun (Ken Watanabe, who starred in EdwardsÔÇÖs ÔÇ£GodzillaÔÇØ). Attempting to protect Alphie, Joshua travels with or in pursuit of her to various locations, including a massive American flying fortress. The United States named the ominous military airship NOMAD, but in honor of EdwardsÔÇÖs direction of ÔÇ£Rogue One: A Star Wars Story,ÔÇØ letÔÇÖs call it the Death Star.

Edwards hasnÔÇÖt made a movie since 2016ÔÇÖs ÔÇ£Rogue One,ÔÇØ reportedly a troubled project. With ÔÇ£The Creator,ÔÇØ he moves ever so slightly toward the strategies of his 2010 debut, ÔÇ£Monsters,ÔÇØ which was made for less than $500,000. EdwardsÔÇÖs new movie is hardly a low-budget production, but the filmmakers did employ such cost-cutting measures as shooting mostly on location and using relatively inexpensive digital cameras.

Special effects were inserted later, with varying degrees of success. The visuals are sometimes murky, and the CGI additions not always persuasively integrated into the whole.

Co-written by another ÔÇ£Rogue OneÔÇØ veteran, Chris Weitz, ÔÇ£The CreatorÔÇØ begins frantically (and a bit confusingly) and often features sweeping crowd scenes. But the movieÔÇÖs ultimate

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