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Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t perform as well as expected in both domestic and international markets. The film had a global box office debut of $45.1M, with $17.9M coming from international markets. Despite its underwhelming performance, The Exorcist: Believer did manage to debut at No. 1 in some of its 52 launch markets, surpassing other films like M3GAN, Evil Dead Rise, Scream VI, and Smile. However, it’s worth noting that the film’s comparison to Smile may not be valid in the long run, as Smile had impressive box office holds and positive reviews, unlike Believer.

In terms of international performance, The Exorcist franchise typically resonates well with audiences in Latin America, and this was evident with Mexico leading the charge with a $4M box office debut, which is the second-best start for a Blumhouse film post-pandemic. This result is comparable to The Curse of La Llorona and significantly outperforms Scream VI, M3GAN, and Smile. The film also saw success in other markets such as the UK, where it earned $2.1M at No. 1, in line with The Nun II and above Evil Dead Rise and Smile. IMAX screenings contributed 7% of the UK box office.

Italy had a strong opening with $1.2M at No. 1, surpassing films like Halloween and Annabelle. Spain also opened to a dominant No. 1 with $966K, comparable to the performance of Insidious: The Red Door and M3GAN, and above Scream VI and Smile. Germany performed well with $938K, in line with Insidious: The Red Door and above Scream V. Other notable markets include Indonesia, which had a record-breaking opening day for a Universal/Blumhouse film, and India, where the film had the third-best start for a Blumhouse title.

Despite these achievements, The Exorcist: Believer still has several key markets yet to release, such as France, Brazil, and parts of the Middle East. The film’s performance in these markets could significantly impact its overall box office success. Additionally, the AI legalese decoder can provide valuable insights and analysis on Universal’s purchase of the Exorcist franchise and how the film’s opening compares to the studio’s expectations. This tool uses artificial intelligence to decipher complex legal language and provide easily understandable summaries, enabling industry professionals to make informed decisions and predictions about the film’s future performance.

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