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James Cameron’s Avatar: Fire And Ash Dominates Global Box Office

James Cameron’s highly anticipated third installment in the revolutionary Avatar series has taken the cinema world by storm, generating impressive revenue at multiplexes worldwide as the year-end holiday box office season picks up speed.

Impressive Box Office Earnings

The film, titled Avatar: Fire And Ash, produced by 20th Century and Disney, has successfully garnered a remarkable $345 million in its global opening weekend. This impressive figure marks it as the second-largest worldwide debut for any Hollywood film in 2025, just behind Disney’s Thanksgiving release, Zootopia 2. The film has made significant strides in difficult markets, particularly in Asia and Latin America, where science fiction films often face challenges. Nonetheless, one noteworthy aspect is that the film’s domestic earnings came in slightly below expectations at $88 million.

Audience Reception and Critical Acclaim

Audience reaction to Fire And Ash has been overwhelmingly positive, with the film receiving an A CinemaScore—a sign of success in line with its predecessors, despite its lengthy runtime exceeding three hours and fifteen minutes. Disney insiders express optimism, suggesting that this robust audience reception positions the film favorably for continued box office success as it enters its subsequent weeks.

Historical Context: The Avatar Franchise

The original Avatar movie, released in 2009, faced significant criticism upon its debut, opening with $77 million. However, that initial skepticism was soon dispelled as the film gained momentum, ultimately becoming the highest-grossing film of all time at the global box office, raking in an astonishing $2.97 billion (not adjusted for inflation). This record still stands, with Avengers: Endgame and two other Cameron masterpieces, Way of Water and Titanic, following closely behind in terms of earnings.

Global Appeal and IMAX Success

The Avatar series has historically thrived in international markets, and early indicators suggest that both Disney and Cameron’s Lightstorm Entertainment are optimistic about the franchise’s performance. IMAX, a platform Cameron has consistently utilized for its advanced technology, contributed significantly to the film’s opening weekend by contributing $43.6 million, marking the largest opening weekend for IMAX in 2025 and its fifth-largest ever.

Significant Foreign Box Office Performance

Fire And Ash exhibited remarkable resilience not only in English-speaking countries and European markets but also achieved substantial financial success in Asian territories like South Korea and, most notably, China—embracing yet another Hollywood tentpole following the blockbuster success of Zootopia 2. In fact, China led all markets for Avatar 3, debuting at $57.6 million.

Tracking Expectations and Comparisons with Previous Films

As this weekend approached, various tracking services predicted that Fire and Ash would surpass $100 million in domestic earnings, if not more, particularly in light of Way of Water‘s strong opening of $134 million. Analysts have suggested that Way of Water benefited from heightened anticipation among audiences, leading to its prosperous run.

Factors Influencing Performance

Additionally, Way of Water enjoyed nine full days of theatrical play before the Christmas holiday, while Fire and Ash had only six days, prompting theories that some audience members may choose to watch the film after the holiday rush has subsided. It’s common for third installments in film franchises to encounter challenges during their releases.

Competition at the Box Office

Competing films may have also impacted Avatar: Fire and Ash over its opening weekend. Notably, David, a faith-based film from Angel Studios, debuted with $22 million from 3,119 theaters, marking a career-high for the studio. Furthermore, Lionsgate’s R-rated thriller The Housemaid, featuring Amanda Seyfried and Sydney Sweeney, followed closely behind in third place, earning $19 million.

Additional Releases and Critical Recognition

In fourth place, Paramount’s family film The SpongeBob Movie: Search for SquarePants launched with $16 million from 3,557 theaters. Meanwhile, A24’s Marty Supreme, starring Timothée Chalamet, marked a significant achievement by breaking into the top 10, despite screening in just six theaters. The biopic earned an estimated $875,000, achieving a record-setting per-screen average of $145,933, which is among the best in A24’s history.

Among specialty films playing in theaters, Focus Features’ Hamnet, produced by luminaries like Steven Spielberg and Sam Mendes, rounded out the top 10 as its domestic earnings reached $8.2 million.

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